Selasa, 12 Agustus 2014

JULY 31'2014
Kota Tua
Siapa yang tidak kenal dengan kota tua, kalau ada belum kenal dengan kota tua jangan bilang anda orang indonesia ya. maaf agak ceplos - ceplos dikit.
Museum Fatahillah yang juga dikenal sebagai Museum Sejarah Jakarta atau Museum Batavia adalah sebuah museum yang terletak di Jalan Taman Fatahillah No. 2, Jakarta Barat dengan luas lebih dari 1.300 meter persegi.
Gedung ini dulu adalah sebuah Balai Kota (bahasa Belanda: Stadhuis) yang dibangun pada tahun 1707-1710 atas perintah Gubernur Jendral Johan van Hoorn. Bangunan itu menyerupai Istana Dam di Amsterdam, terdiri atas bangunan utama dengan dua sayap di bagian timur dan barat serta bangunan sanding yang digunakan sebagai kantor, ruang pengadilan, dan ruang-ruang bawah tanah yang dipakai sebagai penjara.
Pada tanggal 30 Maret 1974, gedung ini kemudian diresmikan sebagai Museum Fatahillah.

Kira - kira seperti ini pemirsa :

 

Gimana keren kan pemirsa?? Sepatutunya kita bersyukur atas apa yang kita miliki sekarang. Sekarang kita bisa menikmati hasil peninggalan bersejarah yang ditinggalkan para pahlawan kita dulu. yang setuju acung tangan ya... hehe just interlude.

Photo tersebut di atas di ambil pada hari Rabu tanggal 31 juli 2014 saudara. sekarang sudah agak mendingan kebersihannya dibanding dari tahun 2012. Dulu  (2012) kota tua ini sangat tidak terurus, namun setelah ada pergantian gubernur yahhh boleh dibilang lumayanlah dari hasil penampakan 2 thn yang lalu.
Di kota tua ini banyak jalan - jalan semacam down town kita pemirsa. coba cek photo- photo berikut ya..

Menikmati Es potong di salah satu pojok sekitar kota tua


Pemirsa juga boleh belajar main sepeda di sini, karna di kota ini ada rental sepeda juga. tapi kalau niatnya belajar sepeda sebaiknya jangan pas hari libur ya, karna tidak ada kesempatan belajar nanti. biasanya berjubel orang-orang disini meskipun hanya mennyantap makanan tradisional, atau bahkan hanya self camera.
Photo di atas percis di depan stasiun jakarta kota. Jadi kalau pemirsa lebih aman menggunakan kereta untuk ke kota tua ide yang bagus juga sih. karna dari stasiun jakarta kota hanya perlu berjalan kaki menuju kota tua tersebut. Dulu saya tidak terlalu suka berjalan - jalan kalau namanya wilayah lokal. namun sekarang saya sadar ternyata kota - kota lokal juga jauh lebih menarik pemirsa :)

Hadehhh masa kecil kurang bahagia nih, bahkan sampai mainin balon yang sepantasnya dimainin anak - anak kecil, jadi ngakak liat photo ini :))






Seru seruan bersama teman-teman sepermainan...


 Ini nananya selfie pemirsa, alias self camera. kalau di Indonesia sih lebih famous dengan sebutan selfie. Tapi sebenarnya selfie itu berasal dari sebutan self camera.






Di kota ini ada museum khus wayang saudara. tanpa basi basi saya akan share sedikit wajah wayangnya di sini....






























Sekian dulu pemirsa postingan kali ini, waktu berikutnya kita sambung dengan Tugu monas ya...
 

Kamis, 08 November 2012

Synopsis will it snow for christmas ep 1

  
I have said many a time that I dislike melodrama — as a genre, as a plot device, as a storytelling crutch. Excessive melodrama is what makes makjang dramas popular, but it drives me batty because I hate when stories are emotionally manipulative just for the sake of being emotionally manipulative.
This, of course, excludes quality melodramas. And Will It Snow for Christmas? has all the makings of a true quality melodrama. It displays the hallmarks of the genre, but rather than throwing a barrage of horrible circumstances at its characters in a mess of tragedy porn, the story is rooted in well-crafted and well-thought-out characters.
I reserve the right to change my mind once the adult storylines get going in earnest, because I have often been enthralled with childhood flashbacks and then lose interest when the adults take over. So this drama isn’t yet a home run. But if the rest of the drama shows these characters in as strongly developed a light as in first two episodes, we’re in for a great ride. What a great return project for Go Soo

Characters

CHA KANG-JIN (Go Soo, whose teenage role is played by a fabulously smoldering Kim Soo-hyun) is a new face in town. He arrives with his irresponsible mother and his dullard younger brother, having been forced to drop out of his last school for hitting someone. Kang-jin is a smart kid with a good heart, but his main vice is his temper — he restrains himself admirably, but when he’s pushed beyond his patience, his temper flares frighteningly. His normally stoic nature covers up a lot of pain, which has a few sources. For one, he feels the absence of a father keenly, and even though he’s never met the man, he’s an important person to Kang-jin. His father’s pendant is all that remains, and it’s a keepsake that Kang-jin puts a lot — perhaps too much — store in.
Furthermore, Kang-jin’s mother is an embarrassing flirt, who chose to return to her hometown where it’s clear she has some messy history. Setting up shop as a tea madam, she herself was the daughter of a bar madam, and had a romantic relationship in her youth with HAN JUN-SU, the father to HAN JI-WAN (Han Ye-seul, who is played as a teenager by charmingly plucky Nam Ji-hyun). The man is a doctor of Oriental medicine and is a respected family man.
Ji-wan is in her first year of high school and has a gift for embarrassing herself. She has recently been dumped by a fellow first-year boy and traded for a pretty second-year sunbae, YOON-JU; her ex tells her cruelly that he was only using her to get close to Yoon-ju. Kang-jin is a second-year student who attended four different schools in the past year and a half — but was the #1 student in all of them.

EPISODES 1 & 2
When Cha Kang-jin’s family arrives at the outskirts of town, his mother grimaces at a banner congratulating a local boy for winning a scholarship to Seoul National University. Mama Cha recognizes the name of the parents, hoists herself on her younger son’s shoulders, and cuts the banner in half.


 Spotting this desecration is an outraged Ji-wan, who bicycles furiously toward them, only to wind up swerving into the ditch instead. She calls them “robbers” (a lack of imagination can’t produce a more accurate epithet) and threatens to report the vandalism. That’s her brother’s banner they've ruined! What have they got against him?


 Kang-jin is a stony, silent type who shows no outward emotion, but we sense that he agrees with Ji-wan. He declines to join his family into town (so they head off without him) and offers to fix the banner. Her temper is still flaring, so she rejects his help and rashly shoves him into the ditch, although she regrets it immediately. However, the next time she comes by, she sees with happy surprise that the banner has been mended and rehung.

Being a tearoom madam isn't quite taboo, but it’s lower-class and embarrassing, especially because of the sickeningly obsequious way Mama Cha acts toward her boss and customers. She flatters the men and accepts their backhanded comments with a tense smile. Kang-jin can’t stand to see her debase herself and hates that she broke her promise to set up a restaurant. But Mom contends that running a tearoom is already a concession — Kang-jin absolutely refused to let her run a bar even though it would bring in more money.
Her boss-landlord is, to put it simply, an asshole. To keep him placated, Madam Cha sweet-talks him, while Kang-jin keeps his temper in check for her sake.